Melodyne3 offers a new algorithm that allows any type
of audio material to profit from Melodyne.s unique
editing functions and sound quality; in other words,
Melodyne is no longer limited to the editing of
melodies but can handle homophonic and polyphonic
textures. Melodyne3 also offers fully automatic
analysis of the audio material, powerful macros for
the correction of intonation and timing errors, and
numerous improvements in the user interface.
Melodyne3 is not only capable of doing far more than
its predecessors; it is also faster and easier to
use.

Recording artists and engineers have known about
Melodyne for years. Until now, though, it was only
monophonic vocal and instrumental parts that could
benefit from Melodyne.s much-admired editing
algorithms: algorithms capable of everything from
minor corrections of intonation to extreme pitch
shifting and from the subtle modification of grooves
to drastic time stretching. With version 3, Melodyne
is no longer limited to melodies but offers a unique
algorithm that can perform high quality time
stretching on full chords and complex audio signals;
so now harmonic material (such as rhythm guitar or
piano parts) . whether homophonic or polyphonic . can
be transposed (without altering the tempo), slowed
down or sped up (without altering the pitch) and even
quantized. What.s more, all this can be done in real
time with the sound quality for which Melodyne is
famous.

Melodyne3 employs the same audio analysis engine as
Melodyne uno: the process of note recognition is
therefore fully automatic and the results more
reliable and delivered more swiftly than heretofore.
That.s one way in which Melodyne3 makes working with
audio files easier. Others are the Correct Pitch and
Quantize Time macros, which allow the most common
flaws in vocal and instrumental recordings to be
removed with a few mouse clicks.

Melodyne3 is not just far easier to operate and
better attuned to the working practices of musicians
and recording engineers than its predecessors but
also better structured. Context-sensitive combi-
tools, logically arranged menus and intuitive new
methods of operating in the arrange and edit windows
streamline the workflow as well as reducing the time
taken to master the program. There are also notable
improvements in the way Melodyne integrates into
other sequencing applications and Melodyne3 can read
sound libraries created using Melodyne technology
such as those of Ueberschall.s Liquid Instruments,
thereby obtaining access to an almost inexhaustible
supply of licks and phrases.

.The ability at last to apply Melodyne.s unique
editing functions to any type of audio material is
certainly the main argument for Melodyne3,. says
Peter Neub?cker, the founder and mastermind of
Celemony. .This uniquely flexible way of handling
audio material will lead to a whole new style of
working in the studio: with Melodyne3, the note-based
rearrangement and remixing of songs are child.s play,
and we.ve streamlined the workflow in numerous ways
in response to requests from users. As a result,
Melodyne is far simpler and more practice-oriented
than ever before..


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